Sunday, January 13, 2013

"Time exists so that everything doesn't happen at once," and other Madelein L'Engle quotes (Part 1)


Madelein L’Engle (1918-2007) authored over 40 books, including A Wrinkle In Time and all of its sequels.  I still recall my 3rd grade teacher reading those to us, and being mesmerized by the way they stimulated my imagination.  Her writing reflected her deep Christian faith, a love of science, and a curiosity to ask many questions. I was privileged to hear her give the Commencement Address to my graduating class at Wheaton College in 1977.  Here are some of my favorite quotes from her writings.  Let me know which ones resonate with you.

When we were children, we used to think that when we were grown-up we would no longer be vulnerable. But to grow up is to accept vulnerability... To be alive is to be vulnerable.

A self is not something static, tied up in a pretty parcel and handed to the child, finished and complete. A self is always becoming.

Time exists so that everything doesn't happen at once.

The unending paradox is that we do learn through pain.

If we commit ourselves to one person for life, this is not, as many people think, a rejection of freedom; rather, it demands the courage to move into all the risks of freedom, and the risk of love which is permanent; into that love which is not possession but participation.

A book, too, can be a star, a living fire to lighten the darkness, leading out into the expanding universe.

If it can be verified, we don't need faith... Faith is for that which lies on the other side of reason. Faith is what makes life bearable, with all its tragedies and ambiguities and sudden, startling joys.

Maybe you have to know the darkness before you can appreciate the light.

Our truest response to the irrationality of the world is to paint or sing or write, for only in such response do we find truth.

Some things have to be believed to be seen.

Life, with its rules, its obligations, and its freedoms, is like a sonnet: You're given the form, but you have to write the sonnet yourself.

When we lose our myths we lose our place in the universe.

I will have nothing to do with a God who cares only occasionally. I need a God who is with us always, everywhere, in the deepest depths as well as the highest heights. It is when things go wrong, when good things do not happen, when our prayers seem to have been lost, that God is most present. We do not need the sheltering wings when things go smoothly. We are closest to God in the darkness, stumbling along blindly.

The only way to cope with something deadly serious is to try to treat it a little lightly

Just because we don't understand doesn't mean that the explanation doesn't exist.

The great thing about getting older is that you don't lose all the other ages you've been.

Stories make us more alive, more human, more courageous, more loving.

Love of music, of sunsets and sea; a liking for the same kind of people; political opinions that are not radically divergent; a similar stance as we look at the stars and think of the marvelous strangeness of the universe - these are what build a marriage. And it is never to be taken for granted.

Believing takes practice.

We are all strangers in a strange land, longing for home, but not quite knowing what or where home is. We glimpse it sometimes in our dreams, or as we turn a corner, and suddenly there is a strange, sweet familiarity that vanishes almost as soon as it comes.

I love, therefore I am vulnerable.

It's a good thing to have all the props pulled out from under us occasionally. It gives us some sense of what is rock under our feet, and what is sand.

The minute we begin to think we have all the answers, we forget the questions.

Instead of rejoicing in this glorious "impossible" which gives meaning and dignity to our lives, we try to domesticate God, to make his mighty actions comprehensible to our finite minds.

Inspiration usually comes during work rather than before it.

Death is contagious; it is contracted the moment we are conceived.

I think that all artists, regardless of degree of talent, are a painful, paradoxical combination of certainty and uncertainty, of arrogance and humility, constantly in need of reassurance, and yet with a stubborn streak of faith in their own validity no matter what.

We have to be braver than we think we can be, because God is constantly calling us to be more than we are.

But unless we are creators we are not fully alive. What do I mean by creators? Not only artists, whose acts of creation are the obvious ones of working with paint of clay or words. Creativity is a way of living life, no matter our vocation or how we earn our living. Creativity is not limited to the arts, or having some kind of important career.

Humility is throwing oneself away in complete concentration on something or someone else.

It's hard to let go anything we love. We live in a world which teaches us to clutch. But when we clutch we're left with a fistful of ashes.

We think because we have words, not the other way around. The more words we have, the better able we are to think conceptually.

Truth is what is true, and it's not necessarily factual. Truth and fact are not the same thing. Truth does not contradict or deny facts, but it goes through and beyond facts. This is something that it is very difficult for some people to understand. Truth can be dangerous.

That's the way things come clear. All of a sudden. And then you realize how obvious they've been all along.

Creative scientists and saints expect revelation and do not fear it. Neither do children. But as we grow up and we are hurt, we learned not to trust.

We do learn and develop when we are exposed to those who are greater than we are. Perhaps this is the chief way we mature.

Basically there can be no categories such as 'religious' art and 'secular' art, because all true art is incarnational, and therefore 'religious.

But there is something about Time. The sun rises and sets. The stars swing slowly across the sky and fade. Clouds fill with rain and snow, empty themselves, and fill again. The moon is born, and dies, and is reborn. Around millions of clocks swing hour hands, and minute hands, and second hands. Around goes the continual circle of the notes of the scale. Around goes the circle of night and day, the circle of weeks forever revolving, and of months, and of years.

God understands that part of us which is more than what we think we are.

Those who believe they believe in God, but without passion in the heart, without anguish of mind, without uncertainty, without doubt, and even at times without despair, believe only in the idea of God, and not in God himself.

An infinite question is often destroyed by finite answers. To define everything is to annihilate much that gives us laughter and joy.

We turn to stories and pictures and music because they show us who and what and why we are.

Darkness was and darkness was good. As with light. Light and Darkness dancing together, born together, born of each other, neither preceding, neither following, both fully being, in joyful rhythm.

I do not think that I will ever reach a stage when I will say, "This is what I believe. Finished." What I believe is alive ... and open to growth.

Love is the one surprise.

She seems to have had the ability to stand firmly on the rock of her past while living completely and unregretfully in the present.

It is possible to suffer and despair an entire lifetime and still not give up the art of laughter.

When I have something to say that I think will be too difficult for adults, I write it in a book for children. Children are excited by new ideas; they have not yet closed the doors and windows of their imaginations. Provided the story is good... nothing is too difficult for children.

Truth is eternal. Knowledge is changeable. It is disastrous to confuse them.

To be continued…

Let me know which of these speak to you.

Sunday, January 6, 2013

Sojourning with Black Sabbath


We pulled into the backstage entrance shed of the International Amphitheater recessed in the screeching railroad yards of Chicago’s south side.   Sandwiched between four lengthy, sleek limos, my fluorescent lime green ’68 Impala must’ve looked odd amidst those luxurious onyx sedans.   Me, my photographer, Sam Smith, and old high school chum, Chuck Brown, had been asked by drummer Bill Ward of Black Sabbath to accompany their high-falutin’ fleet from the Lake Shore Hilton to the gig in order to continue our interview.

As we leapt out of my goofy ride and I slapped the keys in the hand of an attendant to go park the beast, I’m sure the groupies and metal heads gathered to get a glimpse of their long-maned heroes wondered who the hell we were.  And honestly, we were thinking the same.

Here I was, still in my teens, interviewing one of the most notorious bands on the planet for my Wheaton College student paper, The Record.  Of course, I had bluffed the Warner Brothers publicist into thinking it would be put in print in some much more influential rock mag (so much of the entertainment biz is about putting up a front that’ll get you where you wanna go).  As we were led through the labyrinth hallways out of public view, my mind wandered back five years to when I heard the thick, pulsating music of this quartet for the first time. 

(L-R): Chuck Brown, Geezer Butler, and me. 
(Photo by Sam Smith)

It was the spring of ’70, and my brother, Jim, tore the shrink wrap off this haunted looking album cover featuring a mysterious, out-of-focus green-tinged person standing in a dusky English village.  He plopped the needle down on the opening cut, the vinyl crackling slightly as the sounds of a dense downpour muffled the foreboding clang of a distant church bell for over a minute.  And then it came…the initial death knell of canyon-filling fuzz guitar and bass with coffin pounding drums that can still send shivers down my spine.  Musical theater had never been so ominous…this heavy.  Ozzy Osbourne’s voice makes it’s debut low and pensive as he plays the part of a man awaiting his sentence on the final judgment day…that black Sabbath.

What is this that stands before me?
Figure in black which points at me
Turn around quick, and start to run
Find out I'm the chosen one

Then, a blood curdling extended scream, “Ohhhhh nooo!” And the apocalyptic chords come crashing down again before another exasperated breath…

Big black shape with eyes of fire
Telling people their desire
Satan's sitting there, he's smiling
Watches those flames get higher and higher
Oh no, no, please God help me!  

(“Black Sabbath” by Black Sabbath from the album Black Sabbath, 1970)

Jim had loved loud stuff in the previous few years like Blue Cheer, Fat Mattress, the first Zep LP that had just come out a couple months before…but nothing sounded like this. Pretty much everything in minor keys…as if the soundtrack had been created for the Nazi buzz bombings of London.. 

As the sixties came to a close, a heaviness began to set in on music that had never existed before: distorted, shrieking guitars, wailing singers, throbbing rhythm sections.  It encapsulated a growing unease, and undercurrent of anger and distrust as the summer of love in ’68 was disintegrating into an age of angst…and no one captured that emotion like Black Sabbath. And I dare say no one ever has since.

I still put their first five albums, released from ’70 to ’74, up against any heavy metal that has been birthed hence, and there’s little comparison.  I believe the likes of Judas Priest, Metallica, Slayer, Type O Negative, and the rest would unhesitatingly agree.  Such is the power and enduring influence of Sabbath’s early repertoire. Forged in the smoke, fiery skies, and long shadows of Birmingham, England’s scalding steel mills and depressing coalmines, school chums Tony Iommi, Terrence “Geezer” Butler, Bill Ward, and John “Ozzy” Osbourne pounded out a tribal dance…a kinetic trance that has influenced the harsh side of music for the next forty years in much the same way the Beatles have for melody.

Our discussion with the friendly, but surprisingly sedate Ward continued in the bowels of the creaky arena. We had gone over how they had met and started creating their malefic sound, and how their moniker was chosen.  “Originally we called ourselves Earth, and were probably more of a blues rock outfit, kinda like Cream.  But we found this even heavier side that was reflective of our surroundings,” he reminisced.  “Then we thought about Hammer.  And another name we actually threw around was The Heavy Metal Kids, as a tribute to the pounding of the foundries.  But one night we were watching the telly at two AM and on came a Boris Karloff horror film called Black Sabbath. It just sounded like the perfect encapsulation of our vibe.”

I was curious about the spiritual nature of some of their lyrics…

Have you ever thought about your soul - can it be saved?
Or perhaps you think that when you're dead you just stay in your grave
Is God just a thought within your head or is He a part of you?
Is Christ just a name that you read in a book when you were in school?

“Well, I’m just the drummer…not much for poetic words.  Geezer writes quite a bit of them, and I guess he’s been influenced because there are some priests and other clergy in his family.   He’s told me that some wildly intense visions have come upon him in his dreams about Judgment Day and things like that.  In fact, not long ago, someone told us that the term ‘black sabbath’ comes from legend or prophecy that just like Easter, when Jesus was raised from the dead and there was so much celebration, he will also return on a Sunday.  But this time it will be to mete out justice…definitely making it a Black Sabbath for many.”

I think it was true it was people like you that crucified Christ
I think it is sad the opinion you had was the only one voiced
Will you be so sure when your day is near, say you don't believe?
You had the chance but you turned it down, now you can't retrieve

Perhaps you'll think before you say that God is dead and gone
Open your eyes, just realize that he's the one
The only one who can save you now from all this sin and hate
Or will you still jeer at all you hear?
Yes! I think it's too late.

(“After Forever” by Black Sabbath, from the album Master of Reality, 1972)


By the time their second album, Paranoid, was released the band had tapped into the full zeitgeist of the time.  Young people were frightened by the Cold War, especially how it was being carried out in southeast Asia. The peace marches were becoming more militant, and there was a righteous anger about it all. “We hate violence and killing,” explained Ward.  We were outraged by the Vietnam War, and we wrote “War Pigs” as a response.”


Now in darkness world stops turning
Ashes where the bodies burning
No more war pigs have the power
Hand of God has struck the hour
Day of judgment, God is calling
On their knees the war pig's crawling
Begging mercy for their sins
Satan laughing spreads his wings

(“War Pigs” by Black Sabbath from the album Paranoid, 1971)

“We were very much exasperated young men when we first started touring,” Bill said, gazing retrospectively at his calloused hands. “That was really reflected in our material which was even sharper edged back then.  We were honestly pissed about a lot of the injustices happening in the world, the rip-offs, all of the deception. We wanted to realistically look at those things, and put them in their place, so to speak.  It sure seems like a lot of people have resonated with that.”

Children of tomorrow live in the tears that fall today
Will the sunrise of tomorrow bring in peace in any way?
Must the world live in the shadow of atomic fear?
Can they win the fight for peace or will they disappear?

So you children of the world, listen to what I say
If you want a better place to live in, spread the words today
Show the world that love is still the life you must embrace
Or you children of today are Children of the Grave

(“Children of the Grave” by Black Sabbath from the album Master of Reality, 1972)

When people tell us we’re Satan worshippers and terror mongers, we just tell ‘em they’re full of shit,” Bill asserted. “Listen, those who are evil go to hell, and those who love good will be saved…what’s so sadistic or demonic about that?  What’s wrong with warning people of the wayward evils and subsequent impending doom?”

Your world was made for you by someone above
But you chose evil ways instead of love
You made me master of the world where you exist
The soul I took from you was not even missed

Lord of this world
Evil possessor
Lord of this world
He's your confessor now!

You think you're innocent you've nothing to fear
You don't know me, you said, but isn't it clear?
You turn to me in all your worldly greed and pride
But will you turn to me when it's your turn to die?

(“Lord of This World” by Black Sabbath from the album Master of Reality, 1972)

At various times of the interview, Ozzy, Geezer, and Tommy walked by and gave clipped greetings. I met Osbourne on several other occasions in the eighties when he was at his zenith as a solo act.  Always an amiable chap, although notoriously difficult to understand due to his slurred accent and likely inebriation from alchohol or various chemical inducements.

You see, sadly, all of the members of the band caved to the pressures of drug and drink which they had avoided and even berated on their earliest work.  Ozzy’s weaknesses became so pronounced that he was dismissed from the group in ‘78.  But the remaining three also wrestled addictions, with cocaine taking the highest toll on the Sabbies throughout the late 70s into the 80s before each got clean.   Black Sabbath has gone through an array of various lead singers since that time, and even had the odd reunion with Ozzy every fifteen years or so.

But those first albums still carry an iconic weight that is timeless. To this day you will hear the rumbling laments from those songs seeping out of teenagers’ headphones, as they confront the hypocrites, deceivers, and power mongers of the day.  And in the midst of the of that heartbreak, that just maybe, there is a hope that will eventually bring peace to those who surrender to it…

Take my hand my child of love, come step inside my tears
Swim the magic ocean I've been crying all these years
With our love we'll ride away into eternal skies
A symptom of the universe, a love that never dies

(“Symptom of the Universe” by Black Sabbath from the album Sabotage, 1975)

Just remember love is life
And hate is living death
Treat your life for what it's worth
And live for every breath
Looking back I've lived and learned
But now I'm wondering
Here I wait and only guess
What this next life will bring

(“A National Acrobat” by Black Sabbath from Sabbath Bloody Sabbath, 1974)



Monday, December 31, 2012

2012 Year End Inventory


As 2012 comes to a close, it’s always fun to look back on what I partook in.  I keep a pretty thorough calendar, so the following is culled from glancing through my records of the past 12 months (this is what consumes time on a boring flight across the country).  Here’s a sampling of what I was involved with this year…

WORK (It’s not so much a job as it is “a calling”):

7,130 needy third world children sponsored through 32 radio campaigns our
                     Radio Department at Compassion International organized
Represents approximately $16.4 million over the next 5 years for good health, education,
                    nutrition, clothing, Spiritual encouragement, and opportunities for these kids
13 radio marathons hosted in different cities
4 additional radio interviews regarding Compassion’s outreach
5 conventions/retreats
4 overseas trips where I was group leader (Bangladesh, Haiti, Guatemala, and Colombia)
105 conference calls

TRAVEL:

78 (including my 1,800th) flights going through 31 different airports covering 81,650
               miles.
45 cities in 18 states and 9 countries
4 new countries visited (Bangladesh, Palestine, Israel, Jordan), for a lifetime total of 54.
26 different rental vehicles
27 different hotels
4,055 road miles while on the job/vacation
107 days on the road

WRITING:

65% finished with manuscript of my second book, tentatively titled, Riff Rock:
                 Confessions of a Not-So-Holy Roller
54 blogs for MarkAHollingsworth.com, Blogger, Facebook, MySpace
Over 5,000 e-mails/social networking posts

READING:

I read 36 books this year.  Here are my faves…

Falling Upward, Richard Rohr
Blood Brothers, Elias Chacour
Israel/Palestine: A Christian Response, Craig Michael Nellsen
Which Jesus? Choosing Between Power and Love, Tony Campolo
Across the Wire, Luis Alberto Urrea
Bad Religion: How We Became a Nation of Heretics, Ross Douthat
Cloister Walk, Kathleen Norris
It’s All About God: How Isam, Atheism, and Judaism Made Me a Better Christian, Samir
            Selmanovic
Into the Beautiful North, Luis Alberto Urrea
The Poverty and Justice Bible (at least 48 different authors) *

*re-read

Also read…

Over 300 newspapers
Over 100 magazines
Over 150 articles on-line (research for book)
Over 200 Facebook Profiles
Over 7,000 e-mails/social networking messages

FILM:

I saw 81 films in theaters and on DVD in ’12.  Here are my faves….

Tinker, Tailor, Sailor, Spy
Extremely Loud and Incredibly Close
The Artist
Blue Like Jazz
Prometheus
Looking for a Friend at the End of the World
Moonrise Kingdom
Bernie
The Dark Knight Rises
Beasts of the Southern Wild
Hellbound
Looper
The Perks of Being a Wallflower
Life of Pi
Argo
Samsara
Searching for Sugarman
Celebration Day: Led Zeppelin
Lincoln
The Sessions
Les Miserables
Chasing Ice
With God on Our Side

MUSIC:

I purchased 26 CD’s and listened to hundreds more albums. Here are my new faves from ‘12

Flying Colors, Flying Colors
Ralston Bowles, Little Miracles
Ian Anderson, Thick as a Brick, Part 2
Phil Madeira and Friends, Mercyland: Hymns for the Rest of Us
Phil Keaggy, Live at Kegworth
Rush, Clockwork Angels
Neal Morse, Momentum
Hands, Hands
Keith Emerson Band, Live in Moscow
Steve Hackett, Genesis Revisited II

I saw 67 concerts/speaking engagements…here are the most memorable:

Dave Perkins and Friends, 3rd and Lindsley, Nashville, TN
Glass Harp, Two Old Hippies, Nashville, TN
Bob Roberts, Christ at Checkpoint Conference, Bethlehem, Palestine
Sami Awad, Christ at Checkpoint Conference, Bethlehem, Palestine
Gary Burge, Christ at Checkpoint Conference, Bethlehem, Palestine
Sang Bok David Kim, Christ at Checkpoint Conference, Bethlehem, Palestine
Stephen Sizer, Christ at Checkpoint Conference, Bethlehem, Palestine
Salim Munayer, Christ at Checkpoint Conference, Bethlehem, Palestine
David Crowder Band, Friend Fest, Nappanee, IN
Neal Morse Band, Rocketown, Nashville, TN
Tony Campolo, First Presbyterian Church, Nashville, TN
Ian Anderson Band. Ryman Aud., Nashville, TN
Shaun Groves, Life Church, Canton, MI
Phil Madeira and Friends, Downtown Presbyterian, Nashville, TN
Shane Claiborne, Massey Hall, Belmont Univ., Nashville, TN

SUNDRY:

17 Nashville Predator hockey games
31 gatherings of Curious Souls support group
88 business and/or friendship lunches
12th year as member of Servant Leadership Council for The Village Chapel
9 days in hospital for urinary tract infection, heart palpitations, coronary ablation surgery
8 pieces of property researched in Guatemala
7 parties/picnics
2nd year as member of the board for Touchstone Youth Services
1 new roof on house
1 new siding on house (and still red velvet paint)
1 new sewer line running under back yard
I  reseeding of back yard grass

Sunday, December 23, 2012

No Room!


Adapted from a chapter in Tony Campolo’s book, Let Me Tell You a Story: Life Lessons from unexpected Places and Unlikely People:

A schoolteacher served students from several grades in a small one room schoolhouse in upstate New York, including one child who was euphemistically referred to as “special.”  That particular little boy was what we might call “slow.”

When Christmas season came, the teacher decided to put on a Christmas pageant, and the special needs boy wanted to have a part in it.  He didn’t just want to stand around on the stage; he wanted to have a speaking part.  Part of the presentation was a dramatic interpretation of the birth of Christ in Bethlehem. They all knew that he could not remember lines very well, but they came up with what seemed like a viable solution to the problem.  They told him that he could be in innkeeper.  When Mary and Joseph knocked on the door of the inn, he was to open it and say, “No room!”  Mary would then plead with him further, and when she finished her lines he was to say again, “No room!” and close the door.

They thought he could handle this, but just to make sure, they appointed someone to stand near him behind the door and poke him at the proper time and whisper the right words in his ear, should he forget them.  Rehearsals went fine, and all were excited about a good presentation.

The night of the Christmas pageant all seemed to be moving well until Mary and Joseph got to the inn door.  Mary knocked.  When our little friend opened the door he said what was expected of him: “No room!” 

Mary responded, “But , sir, it’s cold.  Have you no place at all where we can stay?  It’s freezing and I am sick.  I’m going to have a baby, and unless you help us, my baby will be born in the cold, cold night.”

The boy just stood there and said nothing.  Mary looked at him and nodded her head as if to say Go ahead, it’s your turn.  There was another long pause.  The prompter nudged him and whispered, “No room!  Say ‘No room!’”

The little guy then turned to the prompter and said, “I know what I’m supposed to say…but I’ve been thinking.”  He then looked at Mary and said “…she can have my room,” and then he opened the door wide for her and Joseph.

To some, loving comes easily and almost without thinking. The rest of us must be more deliberate.  Let us pray that we are open to the leading of the spirit by being more responsive to the needs of others as they come to us.

Sunday, December 16, 2012

Israel's actions should make U.S. question support


My friend, Lynn Basler Grassmeyer, just published this editorial in the Sat. Dec. 15 edition of Nashville's daily newspaper, The Tennessean:
“Help! Pray for us. We won’t make it this time!” Fifteen-year-old Raneen, an International School student in Gaza, said as Israeli “Operation Pillar of Defense” began.
The students’ pleas intensified throughout the eight-day assault, with shelling from air and sea. While Israel claimed retaliation for “an unacceptable security threat,” The New York Times called the attack a “lopsided battle between this impoverished, intensely crowded and hemmed-in enclave and its militarily mighty neighbor to the north.”
Gaza war news, like other news, played out on Facebook as Raneen’s classmates held their thread of communication with the world. Their mentor and former teacher Linda Todd Gharib forwarded the messages to us in Nashville. And as we prayed, miraculous updates came: “Bombs dropped around us, but we are not hit!”
Gaza’s other children weren’t so fortunate. The Gaza Health Minister reports 183 Palestinians killed — 50 percent civilians, including 33 children, and 1,400 were injured — 55 elderly, 220 women and 450 children. Six Israelis died; 219 were injured.
Writer Graham Peebles reports that 1,477 Palestinian children have been killed since 2000, a level of carnage that contradicts Israel’s claims of “millimetric accuracy.”
During “Pillar of Defense,” 30 schools were damaged, including Raneen’s. Homes, mosques and a church were demolished. Raneen’s school was bombed back in 2008 as well. Chemical weapons, including white phosphorus, brought death and destruction to Gaza during “Operation Cast Lead.”
Retired Col. Ann Wright and Kathy Kelly, part of an emergency delegation of peace activists visiting Gaza days after the recent invasion, met the parents of 8-year-old Fares, decapitated by shrapnel as he slept. His father told Kelly, “He was the life of the house.”
Col. Wright notes, “We’ve seen the devastating destructiveness of Israel’s high-tech weaponry, most of it supplied by the U.S. at American taxpayers’ expense.”
The U.N. notes that the Israeli Defense Force sends warnings to civilians ahead of bombings, but “civilian losses are massive.” Most Gazans never receive such “courtesy calls.” If they did, where would they run?
Completely isolated, Gazans have no freedom of movement, even in the West Bank, where they have family. Hanna Massad, pastor of the Gaza Baptist Church, had to choose between his congregation in Gaza and his wife in the West Bank. He gave up his church and cannot return. Once bustling with coastal hotels and cafes, this forlorn strip now hosts bombed-out silhouettes.
While weapons smuggling occupies media attention, the notorious tunnels are Gaza’s lifeline to essential goods that Israel prohibits by normal routes. Two-thirds of consumer goods reach Gaza via tunnels, which also provide scarce jobs. Many workers meet injury or death in collapses, bombings and gassings.
Raneen’s story has meaning for us here in Nashville. When Christian leaders, musicians and politicians claim blind loyalty to Israel despite documented human rights abuses and international law violations, they spread ignorance and do great harm. Recently, 15 outstanding church leaders asked Congress to investigate Israel’s abuses and halt military aid.
As we near Christmas, Bethlehem’s beloved Rev. Alex Awad urges Western churches to cultivate peace and pursue justice, recalling that God’s kingdom is neither racial nor territorial: “When the angels in the sky over Bethlehem declared ‘peace on Earth,’ they were not far from Jerusalem or Gaza City. ... When we draw near to these places with compassion and understanding, there will be peace.”
Lynn Grassmeyer is a local realty agent and humanitarian with Semitic roots.